$21.00
“Emerge” is a platform for artists, writers, and organizers who are imagining possible futures. It celebrates the in-between moments, while asserting that the emerging can occur at any age and at any pace. This action, unlike appearing, carries some remnant of the past, and it evokes a visceral movement, proclaiming an expectation of the future. We believe that the term implies humility, but also potential, something that you’ll see in the pages of this issue.
Cover: Alison Croney Moses, Flame Birch Shell Small, 2023 (front). Back, Alison Croney Moses, Walnut Shell Two, 2023 (back). Photos by Mel Taing.Title
Author
Category
Link
From the Editor
Jameson Johnson
Letter
The Magic of Artist Residencies with Lavaughan Jenkins, MAGNET, Danielle Epstein, and Dina Schapiro
Carolina Porras Monroy
Feature
Bodies of Work: How Contemporary Artists Are Exploring Reproductive Technologies
Cassie Packard
Feature
Making Her Mark: In Conversation with Jo Ann Rothschild
Michelle Millar Fisher and Anna Nasi
Feature
Community Voices: Artist-Run Projects Making Space in Their Own Neighborhoods
Jessica Shearer
Feature
In Exchange
Guadalupe Campos and Emily Rose Navarro
Artist Project
Restorative Vessels: Alison Croney Moses Holds Space for Healing with an Expansive Woodworking Practice
Fatima Swaray
Special Section: On Care
Documentation and Devotion: Archiving Boston’s Present
Poppy Livingstone
Special Section: On Care
Now You See Me: In Conversation with Adam Davis
Niara Simone Hightower
Special Section: On Care
From the Circle: Storytelling in the Carceral Classroom
Rebecca Oluwatoyin Thompson
Special Section: On Care
“Always Be Around: Corita Kent, Community and Pedagogy” at Cantor Art Gallery, College of the Holy Cross
Maddie Klett
Review
READ
“Humane Ecology: Eight Positions” at Clark Art Institute
Marcus Civin
Review
“The Myth of Normal: A Celebration of Authentic Expression” at MassArt Art Museum
Katherine Schreiber
Review
READ
“Water Stories: River Goddesses, Ancestral Rites, and Climate Crisis” at Harvard Radcliffe Institute
Laurel V. McLaughlin
Review
“Cristóbal Cea: No Monsters, No Paradise” at Boston Center for the Arts
Claire Ogden
Review
Subscribe and Save
Subscribe and save! Get every issue of Boston Art Review delivered to your door, plus free shipping.