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Founded in October of 2017, Boston Art Review (BAR) is an independent online and print publication committed to facilitating active discourse around contemporary art in Boston.

© 2025 Boston Art Review. All rights reserved.

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Boston Art Review's biannual print publication is stocked at bookstores across the US.

Boston Public Art Triennial Guide

We partnered with Boston Public Art Triennial to produce behind-the-scenes stories about the city-wide public art initiative.

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Issue 14: Half Full is here! It features 119 pages of conversations, features, and reviews as well as a special insert previewing the Boston Public Art Triennial. Subscribe or purchase your copy today!

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Recent Articles

Online • Jul 08, 2025

Ambitious Local Micro Galleries Are Taking Art to Unexpected Places

Feature by Jacqueline Houton

Weekly Happenings

July 8–15

A Micro Gallery Roundup + Shining a Spotlight on Indigenous Artists in The Triennial

July 1–8

Honoring Danielle Legros Georges and the history of the Dark Room Collective

June 24–July 1

It may be hot outside, but these happs are worth the sweat + BAMS Fest returns this weekend!

Various spreads from Boston Art Review's Issue 11: Emerge, spread on a grey background

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Boston Art Review team gathered around a table, all inspecting a copy of Issue 11: Emerge.

Meet Our Team

We're a community-supported publication. In addition to our small staff, we rely on a team of editors who are passionate about supporting our arts ecosystem.

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Dylan, a young light-skinned woman with red hair, sits at the table looking towards an open copy of Issue 11.

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In order to continue providing this crucial platform for artists, writers, and our arts community, we need help from supporters like you.

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Online • Jul 07, 2025

With the Boston Public Art Triennial, Four Indigenous Artists Reckon with Memory and Monuments 

Works by Nicholas Galanin, Cannupa Hanska Luger, New Red Order, and Alan Michelson contend with colonial mythologies and Boston’s relatively sanitized identity while animating new visions of Indigenous resilience, humor, and communal memory.

Critical Perspective by Petala Ironcloud

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Latest Reviews

Online • Jun 20, 2025

A Lab for Listening, Visualizing Sound, and Collective Resonance at Fall River MoCA

Review by Shana Garr

Online • Jun 20, 2025

Elizabeth Atterbury’s Sculptures Disrupt the Familiar in “Leaf Litter”

Quick Bit by Kaitlyn Ovett Clark

Online • Jun 17, 2025

Nine Contemporary Artists Respond to an Overlooked Black History at Walden Woods in “Weaving an Address”

Review by Erwin Kamuene

Summer Guides

Online • Jun 10, 2025

Off the Main Drag: Ten Summer Gallery Shows Worth the Visit 

On trailheads, in chapels, and at far-flung corners, the ten gallery exhibitions we’re excited to catch across New England.

Feature by BAR Editorial

Online • Jun 03, 2025

The Season for Slow Looking: Ten Museum Exhibitions To Catch Across New England This Summer

From historic retrospectives and surreal landscapes to experimental films and embroidered portals—the BAR team charts the must-see museum exhibitions both locally and across the region.

Feature by BAR Editorial

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Online • Jul 07, 2025

With the Boston Public Art Triennial, Four Indigenous Artists Reckon with Memory and Monuments 

Critical Perspective by Petala Ironcloud

Online • Jun 17, 2025

Nine Contemporary Artists Respond to an Overlooked Black History at Walden Woods in “Weaving an Address”

Review by Erwin Kamuene

Online • Jun 30, 2025

Where Decoration Becomes Devotion: Spiritual Space and the Painted Cosmos of Lot #198

Feature by Nathan Hilyard

Online • Jul 01, 2025

Remembering Danielle Legros Georges and the History of the Dark Room Collective

Feature by Fallon Murphy